Sound Mirrors is a durational sound performance which re-imagines the acoustic experience of war and connects, in an act of two-way mirroring, the sonic experience of war with contemporary local soundscapes.
Dotted along the east coast of England, large concrete structures were built, sound mirrors, which enabled enemy aircraft and Zeppelin airships to be heard before they were seen, providing early warning of potential attack. Many of these survive and still stand, listening to the contemporary world. Sound Mirrors is a durational sound performance which re-imagines the acoustic experience of war and connects, in an act of two-way mirroring, the sonic experience of war with contemporary local soundscapes.
Tim Shaw has worked internationally as a professional composer, performer, sound designer and researcher. His practice incorporates diverse approaches to sound capture and processing, and includes creating immersive and site responsive sonic installations. His compositional methods include field recordings, synthesized sounds and live electronics, providing a wide scope for creative diversity. At the heart of his work lies a concern with the auditory reflection and mirroring of real world environments through sound and technology. He is currently studying a PhD in Digital Media at Culture Lab, Newcastle University, alongside managing record label Triptik.
John Bowers is an artist-researcher working within Culture Lab with a particular interest in the use of art and design-led methods to explore digital technologies and novel interaction concepts. He also works as a sound artist improvising with electronic, digital, acoustic and electro-mechanical devices and self-made instruments in performance and installation settings, typically accompanied by live digital image.